I tell semi-autobiographical stories that are sometimes true.

I play with contrasts and juxtapositions - memory and transformation, gloss and decay, identity beneath the hammer of perception. Inglorious, commonplace motifs become symbols of the way we live now, a way to anchor a story to its place on a timeline. Cellphones, digital interface elements, disposable coffee cups or a particular beauty product might take on this role.

Visually, my art is influenced by magazine layouts, political cartoon, collage, video game or software interfaces, and even the way that art directors will mark up a work in progress. My work often draws from the digital realm, but I nearly always do the work in the analog realm. I might use a text messaging conversation bubble, but it will be hand painted on a physical surface with physical paint. My visual language is also heavily influenced by fashion, and the dying art of fashion magazine. I assemble compositions like editorials or advertisements, often working with themes of presentation and self-creation. I sometimes borrow technique from magazines as well, assembling images with a process similar to the "paste up" process used to assemble magazine spread before it was done digitally. I mix mediums, primarily ink, gouache, photography, or watercolor. When I work digitally, it is in video, using photojournalistic footage from my own life to speak to many of the same themes as my traditional work. I am more interested in emotion and memory than production value.

Two major landscape shifts are almost always present in my work either blatantly or as a subtext - the sudden digital revolution that transformed the future just as I transitioned from kid to adult, and my personal trajectory across income and cultural class brackets. I'm interested in commemorating one little moment, or one random thought, or one random moment with a lifetime of frustration simmering under it. The stories I tell have a decidedly female vantage point, but not exactly the feminine perspective you've been taught to expect. When you look at my art, I hope you get the joke. Or alternately, I hope you don't quite get the joke, and I hope you wonder if there's even really a joke there.